Compare and Contrast of Illumined Pleasures Dali and Other Art Work
Salvador Dalí Illumined Pleasures 1929
The championship of this piece of work may refer to the luminous imagery projected on or performed within the theater-like boxes that boss the composition. Hither Dalí played with the disjunctions between reality and the illusion experienced in the darkness of a cinema. The imagery, realized through a combination of painting and collage, refers to personal and universal dreams and anxieties. Dalí'south own disembodied head appears in the center box, while an apologue of castration anxiety plays out beneath. Underscoring the feel of motion–pic viewing presented in the painting, this piece of work illustrated the shooting script for Un Chien andalou when information technology was published in the journal La Révolution surréaliste.
Gallery label from 2015.
- Medium
- Oil and collage on board
- Dimensions
- 9 3/viii x 13 3/4" (23.viii x 34.7 cm)
- Credit
- The Sidney and Harriet Janis Collection
- Object number
- 584.1967
- Copyright
- © 2022 Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Lodge (ARS), New York
- Department
- Painting and Sculpture
Nosotros have identified these works in the following photos from our exhibition history.
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The Sidney and Harriet Janis Collection
Jan 17–Mar four, 1968
2 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep half-dozen, 2004
16 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
7 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul three, 2002–Sep half dozen, 2004
8 other works identified
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To Exist Looked At: Painting and Sculpture from the Drove
Jul 3, 2002–Sep half-dozen, 2004
12 other works identified
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Painting &
Sculpture Two Nov xx, 2004–Aug five, 2015
4 other works identified
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Painting &
Sculpture II Nov 20, 2004–Aug 5, 2015
4 other works identified
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Dalí: Painting and Film
Jun 29–Sep 15, 2008
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Dalí: Painting and Film
Jun 29–Sep xv, 2008
In 2018–nineteen, MoMA collaborated with Google Arts & Civilization Lab on a projection using auto learning to identify artworks in installation photos. That projection has concluded, and works are at present being identified by MoMA staff.
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This work is included in the Provenance Research Projection, which investigates the ownership history of works in MoMA's collection.
Galerie Goemans, Paris, 1929 [ane]; to Louis Aragon (1897-1982), Paris [ii]; [Paul Eluard (1895-1952), Paris] [three]; sold to Julien Levy (1906-1981), Paris/New York; sold to Sidney Janis (1896-1989), New York, 1930 [four]; The Museum of Modernistic Art, New York, 1967 (The Sidney and Harriet Janis Drove).[ane] Included in the exhibition Salvador Dali, Galerie Goemans, Paris, November xx-December 5, 1929.
[ii] See Sidney Janis Drove of Modern Paintings, exh. cat. Chicago: The Arts Club of Chicago, April 5-24, 1935, no. 16 (lists Aragon equally previous possessor); and Interview with Sidney Janis, June 1967, conducted by Helen M. Franc (The Museum of Modern Art Archives): http://www.moma.org/docs/learn/archives/transcript_janis.pdf
[3] Meet Julien Levy, Memoir of an Art Gallery, New York: G.P. Putnam's Sons, 1977, p. 70, p. 72.
[iv] Engagement of acquisition published in: Sidney and Harriet Janis Collection, exh. cat. Basel: Kunsthalle et al, 1970, no. 11; Three Generations of Twentieth Century Art: The Sidney and Harriet Janis Collection of The Museum of Modern Art, exh. cat. New York: The Museum of Modernistic Art, 1972, p. 178, no. 12.
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Source: https://www.moma.org/collection/works/80021
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